“Cold Souls” Interview with Paul Giamatti and Director, Sophie Barthes

August 15, 2010 § Leave a comment

“Cold Souls”, a dark comedy with a philosophical and metaphysical twist, is written and directed by Filmmaker Magazine’s “25 New Faces of Independent Film”,  Sophie Barthes,  and stars well-trained and comedic actor, Paul Giamatti and David Strathairn.

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“The Limits of Control” Interview with Director Jim Jarmusch

August 15, 2010 § Leave a comment

“Limits of Control” reminded me slightly of “Coffee and Cigarettes”, only with two espressos (separate cups), matchbooks, and wooden string instruments, set in Spain. The film opens with the quote, “as I descend down impassable rivers, I no longer feel guided by the ferryman”, and very little dialogue thereafter. “Usted habla espanol?”, and “whenever someone thinks he is bigger than the rest of us, he must go to the cemetary”, are repeatedly stated throughout the journey of a mild mannered mysterious man in a well tailored gray suit.

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Red Carpet and Interview with Spike Lee, for “Kobe Doing Work”

August 15, 2010 § Leave a comment

Sharon Abella: Are you excited to be at the film festival?

ANTONIO PIERCE: Linebacker for the New York Giants:

“Yes.  I was here a couple of years ago for the movie about Cesar Chavez, I don’t remember the name, maybe it was titled that, I’m not sure.”
SA:  Are you a big Kobe fan?
AP: “I am. Big Kobe fan. I admire the way he plays, the way he goes about his business on and off the court, and honestly, being directed by Spike Lee is very huge! You can’t put two better people together to work together.”
Q: Do you think maybe you’ll be next?
AP:  I’ve been begging Spike to put me in a film.   Every time I’m at the Garden, I’m sitting next to him, I say,   ‘Spike, just put me in action.’  I’ll leave that to the directors. I’ll just play football for now, and if it comes about, it will come about.”
Q:  What do you think of the draft this year?
It’s exciting.  We just selected a receiver in the first round, obviously a need for us.  We have eight or nine more picks left. Whoever comes to the Giants and they are willing to work hard, and help us get back to the Superbowl and be a Superbowl team, I’m all for it.
I’ll leave that to Jerry, he’s the coach, so.
Q: What’s your strategy this year?
AP: “WIN, BABY, JUST WIN!!! For us it’s really about a good season.  We started off very strong last year, 11: 1 at one point, and we kind of fell off 3 or 4 games at the end, so…”
Q: Who are you looking forward to playing the most?
AP: “I love my cowboys, I love our division, but I always love playing the cowboys.  I think they have a reality show, some guy trying out for the team, I hope he makes the team, maybe take TO’s spot.”
Thanks
__________________
LAZ ALONSO:  actor from “MIRACLE AT ST. ANNA” :
Q: “Excited to see the film?”
LA: Everything is really, really, good. It seems like everyone is really excited about this film.  I’m really proud of Spike, and I support pretty much everything he does, even before we got to work together. I’m really happy to see it.
Q:  What’s coming up next for you?
LA:  Well Fast and Furious just did very very well at the box office.  If you don’t remember me I was the guy with the mohawk, the angry villain, as usual.  I have this film called, “Avatar” that James Cameron directed, that comes out it December, so we’re anxiously awaiting that.
AND I’ll be in New York for the next eight weeks, filming this movie called, “The Family”, starring opposite Kimberly Elise, and Little Bow Wow, and
Tasha Smith, her directorial debut, we’re all really excited to be back in New York, and filming a really sweet New York love story.
Congratulations!  Best of luck to you!
_______________________________
OMAR BENSON MILLER:  Actor “MIRACLE AT ST. ANNA”,  “SHALL WE DANCE”
Q: How are you?
A: I’m good to go.  How are you?
Q: So are you enjoying the festival?
A: I’m glad to be here, because I’ve been working.  I’m doing “The Sorcerer’s Apprentice”, with  Nicolas Cage, Jay Baruchel, Alfred Molina, SO we are out here working, that’s why it was great to get the night  to come out to support Spike. Thank God I didn’t have to work tonight.
Q: How do you feel about Kobe?
A: “I don’t really care for the guy.  I’m not a big Kobe fan, personally, but you can’t deny, he’s one of the best doing it.  He’s great. He’s does that, he does his work, and he punishes people on the court.
Q; Do you think this film will change your mind about that?
A: No.  Anybody who runs Shaquille O’Neal away.
MICHAEL EALY: ACTOR:  “MIRACLE AT ST. ANNA”
Q: Is this your first time for the festival?
A: “It’s my first time coming to the festival with a filmmaker that I know.  I’ve been here before for certain screenings, but It’s interesting to be here in support of Spike.
Q: What do you have coming up?
A: “A film for Sony called “The Takers” in January.  That’s what’s next.
Q:  What’s your favorite Spike Lee film?
A: The one I was in, “Miracle at St. Anna”.
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ACTRESS:  AIMEE MULLINS:
Q:  Tell us about your experience with the festival!  How do you see it going forward?
A: “Certainly, a festival that has the foundation and the backing of the kind of people that it does, is obviously going to evolve.  This film tonight, with Spike Lee,  is case and point.
This film is a festival within a festival, that’s the ESPN Tribeca sports film festival, and it’s grown already.  It’s the third year since it’s inception, and it has become such a bigger part of the festival.  Tribeca, something that was started to boost the economy to a neighborhood in New York, has become, already a landmark in New York City.  It’s only going to evolve.
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DIRECTOR SYLVAIN WHITE:   “STOMP THE YARD”, “
Q: Are you a big Spike Lee fan?
A: I’m a HUGE Spike Lee fan.
Q: What’s your favorite?
A: Probably my favorite film is “Clockers”.  It is probably the film that had the strongest influence on me.
Q: What do you think Spike’s going to do with a sports film?
A: I think what he does particularly well with documentaries, is he makes them feel very personal.  He really gets into the characters, and into the psychology of the characters. So, I think particularly with a basketball game, and see behind the scenes, it going to be very interesting to see what he chose to show and all the details and strategies that happened behind the scenes.  I’m really excited to see it.  I’m a huge basketball fan. I’m a huge Lakers fan.  Kobe is the best player in the world.  It’s the right combination.
Q: What’s coming up for you?
A: I am shooting my next movie. I’m prepping right now, It’s called, “The Losers”, from Warner Brothers, Joel Silver and Cuba Goldsman are producing. I have a wonderful cast,  Idris Elba, Jeffrey Dean Morgan, from “Watchman”,  Zoe Saldana, Columbus Short, from “Stomp the Yard”, Chris Evans from, “Fanstastic Four”.  Just a great cast. I’m very excited. It’s a contemporary adventure/action movie.  It’s going to kick a&&.”
Sounds like you are a busy man!  Congratulations!
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JANE ROSENTHAL:  CO-FOUNDER OF TRIBECA FILM FESTIVAL
Q:  Has this years festival met your expectations?  and Where do you see it going from here?
A:  “Well, I can’t see where it’s going, we’re right in the middle of it, right now, but it’s a beautiful night in New York, and I think there are over 4,000 people across the street watching “P Star Rising”, a new documentary, and we’re here with Spike Lee tonight, so, so far I can’t complain.”
________________________________
MORGAN SPURLOCK:  FILMMAKER:  “SUPERSIZE ME”
Q:  What’s coming up for you?
A: “We just wrapped “Freakanomics”. That will be coming out later this year. So that’s next.
Q: Are you a Spike Fan?
A: I’m a huge Spike fan, I’m a huge Kobe fan, I am a constantly disappointed Knicks fan. So, it’s good, it’s my kind of movie.”
Q: Why do you like Spike Lee’s films?
A:  I love filmmakers who are really kind of honest about the things they believe in and how that kind of comes into their story telling, and I think there is no better story teller that encapsulates that better than Spike.  He’s an amazing individual. And I’m an NYU graduate, as he was, so he’s my kind of guy, represent Tisch School of the Arts.
Best of luck to you!
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BRUCE HORNSBY:   MUSICIAN:   SCORE FOR “KOBE DOING WORK”
Q:  We were going to ask you why aren’t you playing tonight at “The Garden” with “The Dead”?
A:  “I’m not in the band, I did my time, I wouldn’t trade my time with “The Dead” for the world, but they don’t need me now, and it’s more appropriate for me to be here, because this was something I was deeply involved with having had done the score.  I love them, I love their music, and of course, wish them the best.
Q:  Tell me a little about the work you did on the film.
A:  Basically, I went to Spike’s house.  He called me and asked me if I would do it, I said, “yes”.   I was up here at a Randy Newman concert at Carnegie Hall, with Pat Metheny, my old pal, the great Jazz Guitar player, who has played on my records through the years. I got a call from Spike saying, “I hear you are in town, can you come over my house after the show, and I’ll show you the rough cut.  So I went to the house, he sat in a chair, whispered in my ear and said, “I want music here, I want music here. I had never done this.  This was my first film score. So, it was great to do my first film score with an old friend, who I had worked with lots of times before.  We’re sort of the odd couple.  We’ve done a lot.  We’ve done 3 videos together. I’ve done 2 movie songs for him before this.  So, I went home, he sent me the reels, there were four reels, and I just looked through the tape and ripped away, and it was very natural for me.  I really enjoyed it!!!
______________________________
INTERVIEW WITH SPIKE LEE:
Q: What’s it like to have two films in the festival?
A: “Good, you know this is the first I’ve ever been in the Tribeca Film Festival. It just hasn’t worked out schedule wise, so I’m glad to be here.”
Q: You are celebrating “Kobe Doing Work”, “Passing Strange”, as well as the 20th Anniversary of “Do the Right Thing” coming out on Blue Ray.
A: Yeah, that’s June 30th.
Q:  What did you learn about Kobe Bryant that you didn’t know before?
A:  “I didn’t really understand about how much of a team leader he was.  That’s his team.”
KOBE DOING WORK:   Thursday April 30, 3:30 pm, and Saturday, May 2nd 9:30pm
Go into the mind of Kobe Bryant, family man who is married with two girls, and one of basketball’s best, he comments about his plays, his team, figures out what’s best to do at that particular moment in time, does not dwell on the negative, if  he missed a shot, he’s optimistic, and keeps it moving. He was excited to be chosen against Spike’s beloved NY Knicks, and says his prayers/”Our Father” after the games on Sunday!
Not to be missed!

“Burning Down The House: The Story of CBGB” 4/24/09

August 15, 2010 § Leave a comment

The happy and proud director, Mandy Stein, dedicated “Burning Down The House: The Story of CBGB” to her mother, and manager of “The Ramones”, Linda Stein, as she stated, “it would have been her birthday today”.   (Linda was murdered October 30, 2007 in her home)

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Interview with Cinematographer, Rodrigo Prieto

August 15, 2010 § Leave a comment

You have quite an extensive resume having worked as a Cinematographer on many amazing films including “Amores Perros”, “Frida’, “25th Hour”, “21 Grams”, “Alexander”, “Brokeback Mountain”, “Babel”, “Se, jie”/”Lust, Caution”,  “Broken Embraces” and the current project nearing completion in Barcelona, “Biutiful”.

1.  As a DP you work closely with the Director and the Production Designer to achieve the cinematic look of the film.  Tell us about how you decide which type of film stock to use, which type of camera, the lighting style to complement the way the Director and Production Designer want the movie to look.

When I first read a script, I try not to think of the way it could be photographed. I prefer reading simply to feel how I connect with the story and the characters, and what emotions I experience as the story progresses. On a second reading, I start thinking more as a Cinematographer, and specific visual ideas start popping into my mind. I then do some research, which usually entails looking at many photography and art books to find examples of framing, texture, color and lighting that I think could be relevant to specific scenes in the storyline. I present these images to the Director, and listen to whatever feedback I can get. This is my way of starting to understand more clearly what the Director is envisioning, and what he/she responds to. This, plus the references the Director and Production Designer bring to the table becomes the basis for the visual language for the film. I then proceed to test different film stocks, lenses, cameras, lighting set-ups, colors, and anything that I can think of that can enhance the storytelling through the images we produce. This is a phase of filmmaking that I enjoy very much, as it is a time of discovery and experimentation. Of course this continues during the shoot of the film, but when I am shooting tests, I am truly free to stretch the boundaries of the concepts we come up with to see what can work and what does not.

2.  You have worked closely with Alejandro Inarritu on many projects, including “Amores Perros”, “21 Grams”, “Babel”, and currently, “Biutiful”.  What is it like to work with him?  What is his visual style?  Does he allow you freedom to follow your own vision, to handle most of your own visual elements?

Alejandro is a very complete director. By this I mean that he truly understands the medium and knows how to use the elements at his disposal to narrate his films: the performances, the sound, the music, the editing, the production design, and of course, the cinematography. He has an amazing sense of visuals and the language of the camera, and I feel very fortunate to be able to share with him my ideas to find the best way to engage the audience in what he is trying to communicate. We started working together some years before Amores Perros on TV commercials, and since then we developed a creative partnership where we both sit down and share our ideas on how to shoot any given scene, bouncing them off each other. We basically shotlist as much of the film as we can in preproduction and then adapt to the situation on the set. The camerawork on his films is very intuitive, and that is why I do the operating, so I can react to the performances and the rhythm of the scene as we go. He allows me complete freedom to use my instincts with the camera, adjusting for new takes whenever necessary. In terms of lighting, we usually talk about the mood and ambience each scene will require, and I work on achieving it while allowing room for the actors to feel free to move as their emotions dictate. I know that if I do the most perfect and amazing lighting, but it cramps the actors in any way, the scene will not be successful, and the movie suffers.

3.  I was in particularly impressed with your work on Ang Lee’s “Se, Jie”, or “Lust, Caution”.  Along with the lighting, the set and costume design were very tasteful, and complemented one another. Please share what it was like to work side by side withAng Lee. Again did he offer you freedom, or was it a collaborative effort?

I felt very honored that Ang would asked me to photograph “Lust, Caution” since it meant having to deal with his cinematographer not speaking the language everyone else is using.  This was a big challenge, but in the end, visual language is universal, and Ang made an effort to keep me informed on everything that was going on. I also had a personal interpreter, and most of my crew, who were from Hong Kong, spoke engilsh.
I had worked with Ang before on “Brokeback Mountain”, but this was a very different experience. Ang seemed much more intense on “Lust, Caution” than on “Brokeback”. I understand that “Brokeback” was a film that he wanted to do to wind down and recuperate from the nightmare he went through in “The Hulk”. So he made relatively few takes, and the hours were reasonable each day. In China, in contrast, we tipically worked at least 14 hours each day, six days a week, and on the seventh day we would see rushes, and sometimes scout. Needless to say, it was exhausting, but exhilarating at the same time. Ang is very perticular about camera placement and lens choice, so he is very hands-on in this respect. My input is more focused on lighting, film stocks and filtration. I do operate the camera as well, but he will ask me to do very specific things, so it is a very different approach to Alejandro, but I find the chalenge very stimulating as well.

4.  Who inspired you?  How did you get started?  Do you like George Hurrell?

I was into filmmaking since a very young age. I started out when I was 10 years old by making Super 8 films of monsters and Science Fiction with my older brother, Antonio. We would make stop motion films of clay monsters inspired on Ray Harrihousen’s work on films like “Jason and The Argonauts” and “Clash of the Titans.” That evolved into eventually attending film school in Mexico City. I also worked for a fashion still photographer, Nadine Markova for a year, which sparked my interest in photography, and led me to chose cinematography as my field.
Do I like George Hurrel? His portrait work is unparalleled and his lighting is exquisite. I particularly like his portrait of Anna May Wong. I simply can’t understand how he could make hard light look so good on actors faces. On “Broken Embraces” which I recently completed with Pedro Almodóvar, I had a chance to explore lighting Penélope Crúz in a different styles, ranging from naturalism, to more glamorous “Hollywood” style, but I know that I could not come even close to the perfection of Hurell’s lighting.

5.  What advice do you offer those interested in becoming a DP?
The only advice I can give to aspiring cinematographers is shoot anything that comes your way. Just do it all with the same enthusiasm as if you were making Gone With the Wind. Someone will notice, and ask you to do something else, and little by little, the projects will grow in ambition and scope. But above all, enjoy the journey, always.

“Independent Film Week: 9/14-9/19″

August 15, 2010 § Leave a comment

From Sunday, September 14th through Friday, September 19th, “The Event Space” at “F.I.T.” located at 122 W. 26th Street between 6th and 7th Ave, along with Chelsea Cinemas, located at 260 West 23rd St. at 8th Avenue will be hosting the 30th “Independent Filmmaker Conference” offering social networking and panel discussions, showcases, and special events and conversations with the film industries finest and well respected leaders. Panel discussions include, “Making Your First Feature”, “Filmmaking 2.0”, “The Global Marketplace”, “Alternative Distribution”, “The Truth About Non-Fiction”, and “Film and Philanthropy”. http://www.filmmakerconference.com/

Throughout the past 30 years, the “Independent Filmmaker Conference” has supported the production of 7,000 independent films, and assisted 20,000 filmmakers in their endeavours, with success stories including, “Frozen River”, “Maria Full of Grace”, “Freeheld”, “Clerks”, “Half Nelson”, and “Roger and Me”. A few of this years features in the “Spotlight on Documentaries”/”Works-in-Progress” category include: “Sidney Lumet: The Moral Lens”, “Borderline”, “Cooking Lessons”, “Fallout”, “Cuba: The Rest I Make Up”, and “She Wants to be a Matador”. The “Emerging Narrative-Screenplays” category consists of, “808”, “The Adventures of Mom and Dad”, “Between Two Worlds” and the Winner of the Creative Excellence Award at the “Slamdance Film Festival”, “Child in the Dark”, while the International Coproduction Market, referred to as “No Borders” showcases Italian Work In Progress, “The Flowers of Kirkuk”, Australian Romantic Comedy, “Almost French”, and an Argentinian Romantic Comedy “Medianeras”, along with many others. Barry Jenkin’s, who is one of Filmmaker Magazine’s, “25 New Faces of Independent Film”, will display his latest featureMedicine for Melancholy this Monday evening. http://www.imdb.com/title/tt1133989/

Interview with Michelle Byrd, the Executive Director of “The Independent Filmmaker Conference”:

SA- “Tell us about the mission of “The Independent Filmmaker Conference”?
MB-“IFC’s mission is to connect with one another, to advocate for independent filmmakers by utilizing resources, facilitating the development, financing, and distribution of submitted projects.”

SA- “What makes the Conference unique, what sets it apart from other film forums?”
MB- “It is not a film festival where completed projects can be viewed, it is a forum to aide over 2,000 participants projects to the next stage of development, by setting up 1:1 meetings with potential partners, finding financing, sales and distribution.” Project forum meetings consist of four areas, “Emerging Narrative”, “No Borders”, “Spotlight on Docs”, and “Meet the Programmers”.

SA- “Which companies will be in attendance?”
MB- “4th Row Films”, “ACE-Ateliers du Cinema Europeen”, “Ambush Entertainment”, “Creative Artists Agency”, “Fortissimo Films”, Madman Cinema”, “Memento Films International”, “Mirimax”, “New Line Cinema”, “Overture Films”, “Sundance Institute”, “Telefilm Canada”. “We think long and hard on who is interested in supporting Indie Films.”

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